The stuff I make myself I try to sound like that. I like the quality of it, the lo-fi stuff, kind of like what I do.

I guess it’s the whole mood of it overall. What is it about that beat that stands out to you? Right around the time I started making beats this is what I was listening to. Yeah, yeah, this is “Genesis” by Prodigy. Maybe we should play this Prodigy record to give people an idea of what you Just liked the beats a lot, so I would say that’s mostly what it was.

'cause I had no idea what they were talking about. Definitely, for Wu-Tang, definitely the beats Now, you don’t seem like a hardcore dude. When I was in high school, I was listening mostly to Mobb Deep, Prodigy, Wu-Tang a lot. Now tell us a bit about the hip-hop you were into back then. Just started messing around with that 'cause that’s really what I was into. Then I bought some hardware, some samplers, and Hip-hop when I was about 12, and then I was only listening to hip-hop. IĪlways liked to mess around with a lot of instruments. It was just something I always liked to do. Now, I guess even before you were pushing your beats that way, what was it that drew Myself, but I started about four years ago actually trying to get it out. I wasĭoing it a long time just on my own just to show my friends and listen to To rappers and anybody I wanted to work with, see if could send them beats. I think 2007 was when I started going online. Music out there or try to work with artists or rappers until probably about four years ago. I was about 14 years old, and I didn’t start trying to get my I started making beats just for fun about ten years ago when I was a freshman Tell us a little about your background and upbringing for those who might not Instrumental stuff on labels like Tri Angle and Type. We’re very lucky to have with us this afternoon a young producer who I believe is spearheading a new wave of experimentalism in hip-hop

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